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Fair Verona, where we lay our scene...

  • MASTER OF VERONA cover
    These are images of Verona and the surrounding areas, all having to do with the novel The Master of Verona.

May 2008

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True Tragedy

Page Hearn I don't know what to say. Page Hearn, a dear friend and co-conspirator in theatre and life, had a massive heart attack this afternoon and died. I'm writing this because I know there are friends who haven't yet heard who stop by here. As a final - irony? tribute? - his episode of LAW & ORDER: SVU just started playing on USA. It just aired two weeks ago. I had watched it, but didn't call him to congratulate/tease him about it. Thank god, Jan did.

The Artistic Director of CityLit Theatre until he left Chicago for New York, Page directed me in, what, a half dozen shows? Including my first full shot at Macbeth, as well as R&J, Midsummer, and his original play AN ECSTASY OF DRAGONFLIES. He wrote the script for a bunch more shows, and he help me produce THE COMPLEAT WRKS OF WLLM SHKSPR (abridged) in Chicago. But more than that, he helped Jan and me join the Chicago theatre family. That family is calling around tonight, from backstage at intermissions to the bars and rehearsal halls - we've gotten calls and made them, and everyone is shocked and mournful. Together with his partner, Steve, Page touched more lives than most of us could hope to.

I'll write more when I know more.

Muppet Shakespeare

I get a lot of hits by people Googling "Muppet Shakespeare", thanks to my two casting calls for MUPPET ADO ABOUT NOTHING and MUPPET KING LEAR. For those people, I now present this. (I got this thanks to the ever-amazing Shakespeare Geek, but rather than link to a link, I'll go direct.)

Strollerderby has a post including embedded video of the Shakespeare episodes of Sesame Street's MONSTERPIECE THEATER.

For the record, I've been quoting that Elmo-Hamlet bit for years.

Enjoy!

The Beginning of the End

The other day I was here writing about endings. Then, the very next day, I was off-project thanks to a beginning. The irony is amusing, if not epic.

I was supposed to be working on the new (Roman) novel. But while in the shower I had realized how the final book of the Mercutio series begins. I thought I knew before, but I was dead wrong. So I towelled off and sat down, in the space of two hours churning out 3,000 words. The prologue of the final novel is writ.

Now I just have to finish the intervening nine books and we'll be all set.

Sigh. Back to Roma.

Abarbanel and Sex

I'm several months late getting this up, because somehow I missed it in December. Just found it last night, much to my delight (and chagrin).

One of the more significant theatre reviewers in Chicago is Jonathan Abarbanel. He reviews for the local NPR station, WBEZ, and for various publications, including PerformInk. Now, there had already been a story about me in PerformInk, but Mr. Abarbanel put up a second in early December. Here 'tis. I'm very gratified.

As to the issue he raises - Sex seems to be a recurring theme this month for fans of my book. They seem to say,"We like it very much, but could the next one have some sex in it, please?"

Sorry to disappoint, but the heavy sex scenes don't come into the story until the third novel. Then you'll get your full share of bodice-ripping, I promise.

Maybe I'm prudish for this, but I've refrained from putting in a sex scene until it can move the plot along. If it wasn't necessary to the story, it was out, because then I'd just be writing sex for the sake of sex, and the books are long enough already.

Besides, Shakespeare never puts his sex on-stage, and I'm trying as best I can to mimic Shakespearean structure (cop out! I know).

Anyway, thanks to Mr. Abarbanel, and I promise there will be loads of sex as soon as Cesco's old enough.

Cheers,

DB

New Cover for TP

I just received the new cover-art for THE MASTER OF VERONA. Here 'tis:

Masterofverona_2

Though I will miss the swordsman, I do admire the lack of clutter in this version. I'll be interested to hear what other people think...

Two Dominant Searches

Of all the various seach terms that bring people to this site, there are two that are dominant. 1) Capulet-Montague feud; and 2) Tomorrow and tomorrow.

The first is rather obvious - I've written a novel about the cause of the Capulet-Montague feud in Romeo & Juliet. But the second is due to a single piece I wrote last summer, where my wife and I put forward our notion of the first half of the famous speech as Lady Macbeth's suicide note.

Well, someone else has just found it, and commented upon it. The link is here. And for those interested, the original link is here.

Now I have to figure out how to attract more people searching for the Muppets.

Known Endings

While I'm not big on outlines, when I'm writing I find it's good to know what my ending is. Gives me a goal to shoot for. This goes both for each individual novel, and the series as a whole.

I was thinking about this early this morning, as I mentally ran through the final dialogue to my back-burnered TV series. I've read that John Wells knew early on how he was going to end THE WEST WING. (Frankly, I think he got it wrong. When asked what he was thinking about as they flew away from Washington, President Bartlett's closing line should have been, "What's next." I thought that "Tomorrow" was a little uncharacteristic.) I've also read that Amy Sherman-Paladino knew the exact four words that were to end GILMORE GIRLS - but then she left the show in its final year after a contract dispute with WB, so we'll never know what those words were going to be.

I have to admit, there's a part of me that rebels at the notion of a fixed end-point. Having experienced the awe that comes from letting a story flow where it wants to, there's something too constraining in the idea. But I can't deny that it's helped me. Knowing how each novel in the Mercutio series ends (at least through book five) does two things. It gives me a definite goal, and it allows me to lay the groundwork not just for each novel, but several novels to come.

I'm just thinking aloud here, but since I'm often asked these kinds of questions, I thought I'd try to put down some more concrete thoughts. I guess I'm saying it good to know where you're heading, as long as the journey has the freedom to detour now and again.

Birthday Boy

Img_0908 Monday was my son Dash's second birthday, his last as an only child. We spent it at the zoo. Monday being the actor day-of-rest, we spotted other actors there, hanging with their kids. Oh, and a lot of animals, too.

I'll return to the world of literature soon. But this is a great place to share Dash with friends.

It wa a very windy day, hence his hair. And yes, he's wearing a jacket with the Incredibles insignia on it. His name is Dash. How could we resist?

Img_0950 Img_0929

The Evil Big Blue Jet

Le_team Okay, I have a dark turn of mind. I'm aware of this, and most often I can keep it away from the brighter parts of my life.

But today I am convinced that the evil Big Blue Jet is controlled by Annie, the Little Einstein.

My son Dash adores two TV shows - the Mickey Mouse Clubhouse, and Little Einsteins. And before someone out there gets their knickers in a twist, no, it's not Baby Einsteins. These are four little kids and their big red rocket (called Rocket) going off to have adventures. There's always a featured piece of music and a featured work of visual art, and they travel the world having silly "missions." It's not terrible. With one exception, which I will get to in a moment.

However, the creators must have decided there wasn't enough drama. Just as Mickey Mouse needs Peg-Leg Pete to hassle him, so the Einsteins needed some nemesis, some evil force that was always playing dirty tricks and messing up the Einsteins' lives. They created the anti-Rocket, Big Jet. Rocket is curvy and red, so Jet is angular and blue.

Now, we never see if anyone's flying Big Blue Jet (tinted glass). But my wife turned to me about a month back and said, "You know there are four evil children aboard. Evil genius children. Probably call themselves The Little Oppenheimers."

I laughed, but it got me thinking about the stories in a way that they were not meant to be thought about. How does Big Blue Jet always know what the Einsteins are up to? How does it know the exact route they're taking BEFORE they get there? Well, if there are four evil geniuses, maybe they could figure out the route. Maybe they're bugging the Einstein's HQ.

But this morning there was an act of sabotage on Rocket. His flight button was broken, just before the big race. And it dawned on me, "This has to be an inside job."

Now, there are four Little Einsteins. Leo is the leader, and he conducts the music. Then there's Quincy, who plays the instruments, and June, who dances. Finally, there's Leo's little sister Annie, who sings.

I have long held that Annie is the Einstein I'd like to vote off the Rocket. Her little made-up tunes to classical music are insipid. But worse, she's not the best singer of the group! The other Einsteins are far better than Annie, who is always a half-step flat. Naturally, Annie is Dash's favorite, prompting his mother to implore him, "Please, honey, don't ever date an Annie."

This morning I realized that Annie's bad singing is a deliberate attempt to sabotage the Einsteins reputations. And she must be the one behind the destruction of Rocket's ability to fly.

Which means that Annie is in league with Big Blue Jet. The world is in grave peril. Spread the news. I only hope we're not too late...

Healing America's Bones

It's ironic - I wrote this last night, twelve hours before the Philly highway system was shut down because of a crumbling concrete column. Wondering what I should do with it, I decided to use the only immediate forum I have - this site. So we pause for a moment from all things literary to bring you this message from your fellow citizen.
Healing America's Bones

The markets are crashing because of unchecked greed. Schools are failing. Roads are literally collapsing. Airports built in the 1950s cannot handle the demands of twenty-first century flight. Here in Chicago the last major sewer renovation was in 1900.

It’s time.

Americans require jobs that cannot be outsourced. Americans require jobs that will not only make them solvent enough to pay their mortgages, but also healthy enough to see those mortgages through to the joyous day when they’re paid off. Most of all, Americans who watch their cities crumbling around them need to be able to see a future instead of mourn the past. The little guy needs his future to be rosier than his past.

Yeah, it’s that time again. Time for public works, time for infrastructure, time to literally rebuild America.

It’s time for the WPA.

The Works Progress Administration, also known as the Work Projects Administration. Created during the New Deal, it employed millions of people and affected most every area of the country, but especially rural and western mountain populations. The idea was to create a flood of jobs to keep the economy moving until the private sector recovered its balance.

Now, before I am savaged as some kind of socialist-welfare-commie, a few quick Wikipedia facts about the WPA:

About 95 percent of WPA employment and expenditures went to public facilities and infrastructure, such as highways, streets, public buildings, airports, utilities, small dams, sewers, parks, city halls, public libraries, and recreational fields.


The WPA built:
     - 650,000 miles of roads
     - 78,000 bridges
     - 125,000 buildings
     - 800 miles of airport runways

Look at those numbers and you realize that most of your life you’ve been reaping the benefits of the work done in that eight year span. And let’s not forget a little thing called Rural Electrification.

Now look at America today. I mean, really – look! Have you felt the craters we laughingly call potholes? While driving under an overpass, have you seen a yellow metal joist up on wooden shims supporting the road overhead? Have you had water trouble? Electricity trouble? Phone trouble? And, parents, how are the schools? You know, the ones built in the 30s and 40s that haven’t had more than new windows since then.

We’re in stop-gap mode. Quick fixes that fall apart in a year, two if we’re lucky. The glib thing to say is that America needs a facelift. Or perhaps a decent chiropractor. But we’re very good at glib, so let’s be blunt instead:
America is crumbling.

I’m not talking about morals, or ethics, or the ideals of Life, Liberty, and the Pursuit of Happiness, though yes, all of those have been whacked with a stick. I’m talking about the literal, physical America, the place we live, the place our kids live.

Sure, there are a lot of pretty places. Every city has a nice park or fountain or a building they can rejoice in. Meanwhile the bones of the nation are being leeched of life. The very simple idea of getting from place to place gets complicated when roads are undrivable.

So again I say it’s time for the WPA.

Just think. Buildings like Houston City Hall, or Dealey Plaza in Dallas. State parks like Lapham Peak in Wisconsin, or Lake Afton in Kansas. True, these things are built today, but most of the federal dollars goes to fill the coffers of private corporations. What happens if the American worker gets that money direct?

It would certainly be cheaper, for one thing. If the Iraq war has taught us anything, that old canard that the private sector can do it cheaper is an out-and-out lie. Corporations need profits, and rightly – they answer to the share-holders. But if, as we are so often told, America is like a corporation, then the citizens are the share-holders. Let’s try lining their pockets, just for a change.

And teachers. Let’s hire new teachers, an army of educators. If the old WPA set aside 7 percent for artists, let’s set aside at least that much for teachers, and after-school programs, and summer camps. Remember Jefferson Smith, and his boy’s camp? Let’s all for a moment pretend we’re Jimmy Stewart and make something happen for the next generation of Americans, too.

If the Federal Government is willing to dust off Depression-era laws regarding loans (hello, Bear Stearns), perhaps it’s not beyond them to acknowledge that what America needs is another New Deal – or just the Old Deal, dealt from the top of the deck, not the bottom.

Seriously, it’s time again for the WPA. Let’s hire workers from across America to rebuild America. Let’s lay the infrastructure for the next hundred years. Because the private sector owes its ability to function to the pubic sector’s willingness to invest in infrastructure. So let’s build roads and bridges, schools and civic centers. And while we’re at it, let’s do Rural DSL, too.

It’s time for government to live up to its name and govern. Clearly the money can be found, if there’s a will to find it. There will be a lot of resistance, because Americans don’t like being told what to do. But Americans are also the most pragmatic of idealists, they’ll see the truth of this moment: that the private sector needs time to right itself, the housing market needs time to settle, and we need to invest again in this land we love.

David Blixt, author, citizen