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Fair Verona, where we lay our scene...

  • MASTER OF VERONA cover
    These are images of Verona and the surrounding areas, all having to do with the novel The Master of Verona.

July 2008

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« October 2007 | Main | December 2007 »

Book Giveaway

Through the AuthorBuzz Dear Reader promotion, I'm giving away copies of THE MASTER OF VERONA to 10 lucky readers. The copies are stamped with a classical wax seal, something I've not done for other signings, so these will be unique.

So if you're stopping by this site to research a paper (and there are lots of you, I know - I see the tags) and you want to see what all the fuss is about, go over to AuthorBuzz and follow the instructions. If you've been interested but the price has stopped you, you can get it there - or else check e-bay (there's a paperback ARC on sale there as I type this). Of course, if you want to support the author, remember that books make great gifts...

In related news, there will be a similar giveaway to book-clubs in the coming weeks. Stay tuned.

DB

Googling

Haven't done this in a few months. Below are some search questions typed into Google or Yahoo that have led to this page:

  • Is Verona a real place?
  • King Lear – is Cordelia proud?
  • reasons why friar lawrence wasn't to blame
  • Lady Montague from romeo+charges that could be put against her
  • lady montague's death
  • Lady Macbeth's suicide note
  • meaning of fraud in dante
  • events that happened when shakespeare was alive
  • Real Elizabethan feuds
  • after juliet playscript
  • first battle in macbeth
  • petruchio's falcon speech script
  • the muppets book dr. teeth
  • Italian Slang Pick Up Lines
  • blixt murder
  • hamlet tomorrow and tomorrow

Quite often I want to write back to these searchers. But it's probably a good thing that I can't.

- DB

Sequel Title Fun - Part III

Happy Thanksgiving. Clearly, I have a great deal to be thankful for - wonderful wife, devilishly clever yet sweet son, a novel in stores, another coming in a year, some good shows done this year. And there's something I can't talk about yet that makes me doubly happy. Yes, life is treating me well, and I am grateful.

Now, on to the closing post regarding titles to sequels. Since you haven't yet read VOICE OF THE FALCONER (like how I slipped the new title in there?), I can't really speak to the plots of Books 3 & 4. But the titles are, in fact, perfect. These I have no question about, as they are attention-grabbers, quotes from R&J, and also speak to many levels of the story. Perfection on every plane. Here they are:

  • FORTUNE'S FOOL
  • THE PRINCE'S DOOM

They have just the right tone. I can hardly wait until they're in the hands of readers. FORTUNE'S FOOL is 3/5 complete, and THE PRINCE'S DOOM is about 1/3 done.

The only thing I can say about the books without giving away plot points is to speak about size. THE MASTER OF VERONA is around 220,000 words, which translated to 569 pages. As things stand, VOICE OF THE FALCONER will be about 165,000 words (around 430 pages). FORTUNE'S FOOL looks to come in at around 200,000 words (520 pages). THE PRINCE'S DOOM will probably drop in at 150,000 words (corrected! - 400 pages). A pattern is beginning to emerge...

The only other thing I can say is that the books follow both Cesco della Scala and Pietro Alaghieri. Slowly we will hand the reins of the narrative over to Cesco. While Pietro will always be a part of the tale, as Cesco grows we will be following his adventures more and more. But certainly in VOICE OF THE FALCONER and FORTUNE'S FOOL, the action is divided rather evenly between them, and they both play vital roles in the climax of each tale.

There. Informative, without being too spoilery. A clever soul might be able to deduce more from the titles than I've revealed here. We'll see.

Cheers, and have a great Thanksgiving. I'm off to watch the Lions and Packers tear it up.

- DB

Sequel Title Fun - Part Deux

Next on the list is The Falconer's Lure. Keith, my editor at SMP, really liked this suggestion of mine. So much so that he took it to the Fall meeting where they discussed the book coming out in a year's time. The trouble was this: while it looked great on the page, it was difficult to speak aloud. And you don't want a book that is unpronouncable. If customers can't say it, they can't ask for it. So, just a month ago, that title was dropped.

(Side note - there's a new young adult novel out called THE FALCONER'S KNOT, which sidesteps the speech problem nicely. Wish I'd thought of it, but it's taken. Not that there can't be two books with the same title, but within a year of each other? That's bad)

That brings us to the final two. The Falconer's Voice is based on a line from R&J, where Juliet is basically saying "psst" to Romeo at the end of the balcony scene, trying to get his attention. She says, "O, for a falconer's voice to lure this tassle-gentle back again." Being a quote from the show that inspired the series, and touching on falconry, which is so prevelant in the novel, it seemed perfect.

My agent, Michael Denneny, proposed an alternate phrasing: The Voice of the Falconer. "Sounds grander," he opined.

After a month of letting it stew, Keith came back with the opinion that Voice of the Falconer was better. Which is perfectly fine by me. Still echoes Juliet's line, without slavish devotion. Kinda like the books themselves.

So there you have it - Mercutio, Book 2 - VOICE OF THE FALCONER.

Tomorrow - the titles for books 3 & 4.

Breaking News - Amazon Short Available!

Just in time for Kindle...

VARNISHED FACES, an Amazon Short Story by David Blixt.

VARNISHED FACES is from a line from The Merchant of Venice. Shylock refers to the celebrations taking place outside his home as the Venetians revel in masks. He warns his daughter against those "varnish'd faces," meaning the leather masks - and also the men behind them.

In Romeo & Juliet, Romeo and his friends crash the Capulet ball in masks. Lord Capulet tries to recall when he last wore a mask to a party, and "Old Capulet" replies that it was at "Lucentio's wedding."

All these elements are brought together in my first short story, published through Amazon Shorts, and available here for only 49 cents. A steal.

This is the first of nine stories I'll be publishing as a lead-up to the sequel to THE MASTER OF VERONA. Due next Fall, it's entitled VOICE OF THE FALCONER.

For those keeping score, VARNISHED FACES falls between chapters 27 and 28 in MV, at the very beginnng of the Fourth Act entitled The Exiles.

There are several reasons why this story pleases me. First off, it fills in a few deficencies in the novel - we get to meet Giotto here, whereas he's only referenced in the book. We get a good long glimpse of Padua, a place only visited at night in MV's Prologue. And while the rivalry between Pietro and Carrara has a nice arc, I never really touch on the natural anger that Antony has for the Paduan knight. Understandably, Antony blames Mariotto for the ending of their friendship, and that's what plays out in the book. But Carrara had a hand in those events as well, and Antony certainly would not have forgotten that fact.

But my favorite reasons for writing this story are the Paduans themselves. While the novel takes place in and around Verona (hence the title), Padua was one of Shakespeare's favorite places to reference. In this story I'm able to bring all those references together. Characters from Much Ago, Shrew, Merchant, and R&J all meet up in Baptista's garden.

So while you wait to see what happens to Cesco, Pietro, Cangrande and the rest, use this to help fill the void. I promise, it's worth every penny.

Sequel Title Fun - Part 1

There have been four front-runners for the title for the sequel to THE MASTER OF VERONA - though none of them are what I call the book privately. To me, MV will always be IL VELTRO, meaning both the greyhound and the bastard. Perfect, but unsaleable. The sequel is rife with hawking and images of falconry, so naturally I refer to it as IL FALCO. But that, too, is unusable. So the lead title contenders for the sequel were:

  • THE MASTER'S GRIP
  • THE FALCON'S LURE
  • THE FALCONER'S VOICE
  • VOICE OF THE FALCONER

The first was a choice back when MV was called The Murder Stroke. It's a fight move that shows up in the book, and as we discussed hooks, we thought that fight moves for titles might be cool. Except no one outside the SAFD, IOSP, or SCA would know what they meant. Again, a title isn't good if the audience can't at least guess the meaning.

But even when we dumped Muder Stroke, The Master's Grip stuck around. It's actually the title on the contract I signed last year. Because the first book was called THE MASTER OF VERONA, this played very well into that. My only objection was that I might be stuck with Master titles, something that would get old very fast. Hornblower, Sharpe, Flashman, and the Eagle series are the only books that haven't grown too tedious with repetetive titles. Even the Dexter books have begun to sound ridiculous, and there are only three so far.

Then my wife raised another objection: "The Master's Grip - doesn'tit sound like there's a self-pleasuring joke in there?"

She was right. So that title was out.

Tomorrow - More Sequel Title Fun!

Making New Friends

The signing at the Book Cellar was a lot of fun. Met a couple of really interesting authors, most notably Geoffrey Edwards, author of FIRE BELL IN THE NIGHT. I started reading it last night and it grabbed me, despite being far from my usual time and place - pre-Civil War America. Jeff is a great guy, and we hung around until they kicked up out swapping publishing stories. Turns out he's the winner of Gather.com's First Chapter contest - quite cool. So go buy his book.

I also got to sit down with my friend Chris Walsh for an interview. He's a new contributer for Metroblogging Chicago, and I gave him an over-long interview fraught with interruptions while I signed copies. I've mentioned him before on the blog, as we met during Defiant Theatre's production of A Clockwork Orange, for which I designed the violence. He's having a great acting year, which makes me envious - I've taken the year off to write more. A good choice, but I still feel the call of the stage every day...

Just last night a new interview with me went live. I say new, but when I read it I didn't at first remember giving it. Because it was something I had put together three months ago (!). However, I'm delighted it's up because there are a few nuggets of information that haven't show up in other places - mostly my road to getting published. Hence the title of the blog - Novel Journey. Thanks, Gina!

I've been e-chatting with Michelle Moran, author of Nefertiti. She is just a lovely woman, and is enjoying a deserved success with her novel. So go buy that too.

I'm going to try to be better about posting - this once-a-week thing is ridiculous. The problem is, all I have to talk about at the moment is Book 3, or the Othello book, or the Shakespeare novel, all of which have been progressing this past week. And I don't want to discuss them, as I tend to be a spoilery human being (Rosebud was the sled! Vader is Luke's father! The shrink is a ghost! Verbal is Kaiser! They were on Earth the whole time!). The only other thing I could do is post a few chapters from the new novel, which now has a title... Oh, hey! A post about the title! Okay. I'll do that tomorrow.

Cheers, DB

Book Cellar Tonight!

Oops. Forgot to post the reminder until just now - reading and signing at the Book Cellar in, oh, about 90 minutes! Yikes. I'm out the door.

Cheers!

DB

Book Clubbing

I've already done chats with a couple of book clubs about THE MASTER OF VERONA, and since there's a major publicity push to clubs in December (thank you, AuthorBuzz!), St. Martin's recently contacted me and asked me to devise some questions for their book-club section.

Normally publishers wait until a novel is in paperback to pitch it to book clubs. Certainly I was skeptical - from my wife's experience with clubs they almost never read hardcovers. Each club I've spoken to so far has had a friend or family member in it. But apparently there was interest, and in the "well, it can't hurt" department, I was more than happy to come up with a few questions. Anything to help.

The link to the BKMT Reading Guide just went up last week, and there's already a review for the novel! Astonishing, and gratifying. And it just goes to show - what do I know?

And with the WGA strike going strong, there's never been a better time to pick up a book.

Cheers!

WGA Strike, Unions, and My True Colours

If I haven't been blogging this week, it's because there's some interesting family stuff going on, even as I finished three chapters of Book 3 and started my revisions on Book 2.

But in all honesty, all my internet time this week has been spent following the WGA strike.

As anyone who watches late night talk shows knows, the Writers Guild of America is on strike. Their demands are so astonishingly reasonable that it's only through their opponents' complete ownership of all major media outlets that the average American isn't out there on the picket line with them:

1) $.08 cents per DVD, which is double the whopping $.04 they make now, which was negociated in bad faith 20 years ago with the promise of an increase over time.

2) 1.5 - 2.5% of "New Media" meaning the internet and downloads. The corporations are claiming that they don't know the profitability of the internet (even as they impress their stockholders with their internet earnings). But that's the beauty of a percentage - if the company doesn't make money, neither do the writers. I think writers are willing to take that risk.

That's basically it. Those are the issues, and to avert a strike the WGA even removed the first demand from the table on Sunday. The AMPTP (film and TV producers) declined. They allegedly see the strike as a good thing - a way to break the WGA, DGA, and SAG once and for all, and clean house while they're at it.

There are a lot of great other sites covering this, and if I tried to express all my thoughts I'd be up all night writing this blog, rather than the next book. Allow me to point you to here, here, and here. These are sites I visit regularly, as Jan and I have been working on a TV pilot for the last year - the last six months a little more seriously.

Which brings us to why I'm following the strike so closely. There's been interest in the pilot. Which we cannot sell until the strike is over, as we will not cross picket-lines - even over the internet.

I actually called the WGA on Monday to ask a few ethical questions. They were very nice and we chatted for a time, despite the insane number of calls they were getting. I was the second novelist to call that morning. I was asking two questions, the first about selling the film rights to THE MASTER OF VERONA (they asked me not to), and the second about signing with an LA film/TV agent (they said go ahead, just don't shop the pilot to any studios).

Today I talked with an entertainment lawyer who said that the industry is shut down out there. His actual comment was, "It's a good time to be a novelist." He'll be walking the picket line on Monday to show solidarity with his clients. 

Clearly, since I'm in Chicago, there's no one here to picket. But for anyone who stopped by this blog to talk about books, or writing, or even to do their homework - take a second and check out the issues at stake.

This will not be over soon. So when your favorite show goes off the air, I suggest you watch BBC news, get involved in local politics, send a soldier a letter, send Hillary's poor waitress a tip, listen to WFMT, don't watch "Ellen", and don't download shows from the internet until this is all over.

Unions are hurting in this country today, mostly because of apathy and a feeling that their usefulness is behind us. Not so. Just because I belong to a particularly toothless union (Actors Equity), it does not diminish my belief in the concept. Teachers, Auto Workers, Nurses, Teamsters, IATSE - I support them all. Union leadership may not always be the wisest or best, but the Unions themselves are vital to holding back a new age of serfdom and indentured servitude in this nation. Unless you want Debtor's Prisons, breadlines, and riots, support your unions, folks.

Though I have a very mixed bag of beliefs, I vote Democrat by default these days. I am an FDR Democrat, a Truman Democrat - hopefully an Obama Democrat. I think rural electification and the building of dams and roads are good things. I'm in favor of cheap public transportation. I believe pensions are a moral as well as a legal contract, and cannot be erased. I honestly believe that single-payer health care is the only way to make our industries competetive in a global market - Ford and GM can't afford to pay for their workers' health costs when their overseas rivals don't. It's the same short-sighted idea of money now, debt later that is crushing the middle class.

On the other hand, I believe in states' rights, a fundamental right to privacy, and that every law (outside of violent crimes) should have a sunset clause and have to be renewed by the legislature. I actually admire the old Republican idea of less Government interference - I just have a different concept of what interference means. Nixon created the EPA, after all. But the only Republican who still believes in the Goldwater principles is Ron Paul - and he scares me. Just a little.

I have always said that I would love to be a Republican. I just can't afford it.

All of which reveals more of my colours than I intended when I started this blog. But one political rant in 18 months isn't bad. Still, I prefer debating Shakespeare and Dante and who was the best Shadow radio actor. Tomorrow, back to novels of tyrants and dictators and writers in exile - you know, fiction.

Until then, show writers you love them - wear red and read a book. I can reccommend a dandy...