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Fair Verona, where we lay our scene...

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    These are images of Verona and the surrounding areas, all having to do with the novel The Master of Verona.

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Novel I'm Not Writing - The Fourth Crusade - Conclusion

Enrico Dandolo awoke in the Venetian embassy, so recently restored to liberty. He knew it from the voices of his fellow emissaries, thick in discussion over his condition. As he stirred and sat upright, groaning, they fell silent. The first words out of his mouth were, “Why is there no light?”

“My dear Dandolo,” said one of his peers with a frown in his voice, “the candle stands just beside you.”

A stab of fear shook Enrico Dandolo as he recalled the recent events – the tour of the city, the vile attack, his own desperate escape. The landing in the cold waters had been a punishment, driving his breath from him. But a Venetian who cannot swim is as a knight who cannot keep his saddle. With luck he had found the surface and lay there, bobbing like a cork upon the heave of the Bosphorus, reclaiming both breath and wits.

But not sight. He could distinguish light and dark well enough, but with the setting of the sun there was little enough that was light around him. But fortune favored him in the form of a small fishing vessel. With his rich robes he was clearly a personage of importance, and his promises of a hearty reward for his return to the Venetian embassy had been believed. It was only when he was firmly settled in the bottom of the vessel that he succumbed to his ordeal and slept.

“I cannot see!” he cried now, striking his hands against his forehead, as if he might undo the damage through further violence.

When they had calmed him and fed him some wine, they pressed his story from him. At the conclusion he was greeted with silence, and not, he thought, a sympathetic one.

“What must we do?” breathed his nearest peer. “How can this be rectified?”

“It cannot,” said another. “This is disaster.”

“Only if we protest,” said a third gravely. “If we concoct another story, report he fell or struck his head upon a stone – if we do that, we may yet salvage all.”

“If we do not protest, if they are free to use one of us so, how might they treat us henceforth?” demanded the first. Wisely, thought Dandolo.

“Should we then lose all chance of trade? Shall we pack up our belongings – those they will permit us to take! – and return to Venice as defeated as our navy?”

“We tell no one,” said the third with granite decision. “It would mean outright war, for the Emperor’s cousin to have so abused a Venetian balio. Did we strive so mightily for the restoration of our rights, did we so recently succeed, only to lose all again for the sake of this one man and his pride?”

“I have not lost the use of my ears,” said Dandolo, forcing himself to level his voice.

“You have placed us in an untenable position,” said a man whom Dandolo had always considered a friend. “We shall see to your needs, you shall never want. But what is done, is done. Surely you are Venetian enough o see that there is no gain in pressing your claim, while there is all to lose.”

Fury tamped heavily down within his breast, Dandolo at last consented to never reveal the cause of his blindness. In their relief they finally sent for doctors, and a meal. “For you never know, the damage may only be temporary! It is a miracle you survived the fall, so why not a second miracle? It is the Lord who can make blind men see?”

Days progressed, and Dandolo recuperated at a remarkable rate for one so old. His bruises purpled, then yellowed, then vanished entirely.

The sadness was that he could not himself see his convalescence. For in that arena alone he failed to heal. Though unmarred in appearance, his eyes were now more ornamental than functional.

The destruction of his sight was not complete. In daylight, he could distinguish raw shapes, and within a handspan of his face he could even make out letters on a page. But the perfection of his vision was gone.

The blessing – or was it a curse? – was what lingered before his mind’s eye, the image he saw when he closed his lids at night or when he sat in his enforced darkness. Hagia Sofia, a glistening perfection in a perfect city. He could trace every detail, every curve of an arch, the magnificent doors and pillars.

The beauty of would haunt Enrico Dandolo for the rest of his days, a goad to spur him in every act from that day forth.

For, as he told himself as he was sailed away from the Golden Horn on his journey home, “If I have seen my last in Constantinople, her last sight will be of me.”

Novel I'm Not Writing - The Fourth Crusade - Part 2

While the rest of Venice’s embassage were escorted from the palace to assume proper lodgings in the Venetian quarter, Strophantes himself led Dandolo out into the Imperial quarter. Naturally they traveled with a large retinue of imperial guards, fine in their glistening armor. All but one bore halberds. That one was their commander, a handsomely bearded Captain of the Guard who bore a sword in a brocaded leather sheath.

Having passed under the walls of Septimus Severus, they traversed the hilly streets through the packed and thronged avenues, their guards very presence cutting a swath for them.

Strophantes pointed out each notable plaza and monument: the Forum of the Bull, the house of Concordia, the Temple of Thomas the Apostle. There was the pillar of Arcadius, rising higher than any building in this quarter, with its twisting tale of the victory over the Scythians. Yet that paled compared to the golden statue of Constantine Helios, that bore the very nails that had affixed Christ to the Cross.

“There are the baths of Achilles. The Emperor Justinian was able to harness the aqueduct so well that the calidariam has hot water to this day. In spite of upheavals of earth and men, the fountains of Constantine’s great city still flow, showering us with pleasing sight and sound.”

They paused before the palace to view the statue of the Emperor Justinian, dressed as Achilles. In one hand he held the entire world. His other hand extended with regal force, forbidding the barbarians of the world to enter his domain. Dandolo noted that Justinian faced east. That put his back to Venice, meaning he was claiming dominion over it, too.

All was beauty, and fair. Viewing it, Enrico Dandolo remained silent. It was churlish to insist that Venice owned a quarter of the beauty of this vast metropolis. It was galling to admit, even to himself, that his boast of his own nation as heir to Rome was difficult to maintain in the midst of this aweful splendor. All around it were columns of silver, topped by figures of history – Ullysses, Helen, Homer himself.

At the start of the excursion, Dandolo had been to the palace’s western balconies. Higher by far than his own silken cell, he was for the first time afforded a view of the Imperial Quarter, inside the walls of Septimus Severus. Roofs of bronze or gilded tiles, a blinding city of light reflected from the sun as it wended its laborious path around the earth.

He had seen the Hippodrome from above, and marveled silently at the perfection, the glowing unity of art and entertainment. Returning now to the Imperial enclosure through the Forum of Constantine, they strolled southwards through a symphony of birdsong towards the Hippodrome, stationed just north of the old Imperial Palace.

Strophantes maintained his role of guide and historian. “The building itself dates from before Constantine’s own life, though of course he and others built upon it. There are the likenesses of Castor and Pollux. That is the Lymachus Hercules in bronze. Can you make out the horses above the imperial loggia? The chariot of Lysipppus, made of gilded bronze, they have lasted these nine hundred years unblemished.”

“Admirable,” said Dandolo, sweating and feeling as if his blood were thinned. Pillars of colored marble supported the galleries above, with tier upon tier of marble seats. Below these were cages and tiring rooms, filled with lions, leopards, and animals that the Venetian could not even name.

Crossing to the center of the oblong track, Dandolo studied the obelisk placed inside the Hippodrome by Theodosius the Great. Taken from the Temple at Karnak, the hieroglyphs in the pink marble were still legible, if indecipherable.

At the far end of the track was a more recent addition, less than two hundred years old but no less magnificent, was the Walled Obelisk, so named for the armor of gilded bronze plates that covered it.

Between them stood the Serpentine Column of Delphi, three entwined ebony snakes whose golden heads had once upheld a tripod and vase. It had been a gift for the Oracle, reward for her part in defeating the Persian army at Plataea.

Far from relishing his companion’s silence, Strophantes spoke intelligently and learnedly of that battle sixteen-hundred years in the past. It was a mark of how comfortable the Greeks were in their legacy that it needed no underscoring. Dandolo felt a stirring of envy and admiration within his soul.

Exiting the Hippodrome, they emerged into a tree-lined arcade leading to the western end of the Golden Horn. Strophantes said, “It is time to visit the jewel of our nation’s crown.”

Dandolo had seen the dome rising above the line of trees, but not until they entered the direct walkway from the Hippodrome did he comprehend what it was reflecting in his eyes. Dandolo slowed step by step as his mind grasped what he was viewing, until he ceased to walk at all.

Smiling slightly, Strophantes continued speaking as though there was no change in his companion. “That is the seat of our Patriarch, the home of our Christ the Savior. That is the Church of the Holy Wisdom. That is Hagia Sophia.”

The building was a magnificent confluence of curves and domes, massively solid and colorful, but far from garish. Red as blood, white as a dove, with a monumental cross atop the grand dome, it was a city unto itself – a City of God. Resting against a background of water, the basilica was surrounded by perfectly tended trees that seemed to embrace it, even from a distance.

For this first time in his sixty-six years, Dandolo found himself at a utter loss. Strophantes laughed, but not in malice. “Come – shall we see her properly?” And as old Dandolo forced his feet to trod the paved walkway, the Greek fell in quietly beside him. They walked a ways, and after a moment Strophantes murmured:


“Inasmuch as you have power unassailable
From all kinds of perils free me so that unto you
I may cry aloud, Rejoice, 0 unwedded Bride.”


Blinking out of his reverie, Strophantes begged Dandolo’s forgiveness for his indulgence in poetry. In truth, Dandolo was relieved that the Greek was still capable of being moved by this glowing magnificence before them.

Strophantes resumed his role of historian. “Justinian ordered material from every corner of his empire. The column drums are from the temple of Artemis at Ephesus, so cruelly destroyed by that fiend Herostratus. Yet now that lost Seventh Wonder of the World has been incorporated into an even greater monument to the one true God. Besides these illustrious columns you will see porphyry from Egypt, jade marble mined in Thessaly, obsidian from the Bosporus, and yellow stone from Syria. In this one basilica all the world has come together.”

Feeling the need to speak, to say anything at all, Dandolo asked, “It is named for Santa Sophia?”

“In fact, no!” exclaimed Strophantes with pleasure. “Sofia in Greek is Wisdom. Rather than name this magnificent basilica after any one saint, it is named for a saintly quality. She is the Church of the Holy Wisdom. Do you not agree that wisdom is the most profound attribute a saint can possess?”

“I would have said piety,” replied Dandolo absently.

“Ah, the difference between our Churches. You Latins believe that blind obedience to God is the greatest of all virtues, whereas the God we would follow asks us to see for ourselves.” If there was perhaps a trace of bite to these words, if the patina of Strophantes’ civility had begun to crumble, this fact was lost on Dandolo, who was engaged in noting the many architectural marvels that until this day he had never seen, not even in his long life.

Strophantes returned to the subject of nomenclature. “This edifice is in truth the third basilica of that title. All three have stood on the same site, and the original was commissioned by Constantine himself.”

“What became of it?”

“Destroyed. By fire, in times of civil unrest. The second burned in 532.” The Emperor’s cousin seemed untroubled. Perhaps he thought that this, the third and final, was more than adequate compensation. Or was it divine will, a mirror of the Trinity? Gazing upwards at the walls, now close at hand, his tone was almost reverent as he said, “Construction on this one began mere days later, on the orders of the Emperor Justinian himself. He could not bear the loss, and was determined to please the Lord by creating a place of worship more sublime than any on earth. He commissioned two architects, Isidore of Miletus and Anthemius of Tralles, and personally guided the building to completion. The seat of the Patriarch of Constantinople, it is the focal point of our religion, and has been through the centuries. Come,” said Strophantes, “it is more impressive within.”

Dandolo was tempted to assert the impossibility of this claim. But until a moment ago he would never have suspected to be so awed by an exterior, so he kept his tongue. Stepping into the cool interior, he expected to require a moment to allow his eyes to adjust to the change in light. But such light! Never had he set foot inside a cathedral so rife with natural illumination.

The structure of the vast interior was astonishingly complex. The dome that covered the nave was perhaps smaller than the dome of the Pantheon, but infinitely superior. In the Pantheon a single ray of light shone down from the center, a conduit to the Lord. Here, however, the dome seemed to float weightlessly overhead. Squinting against the light, Dandolo saw that this effect was achieved by an arcade of windows running all around the dome’s base. Yet the way the light came in, the frames of the windows almost vanished, leaving only the hovering dome. It was anchored at the nave’s corners by four large pillars.

Strophantes spoke some words to a cleric in jeweled robes. Dandolo was not familiar enough with the forms of the Greek clergy to recognize his station, but he doubted the man was insignificant. Apparently Strophantes received permission to make a tour of the interior, for he returned to take Dandolo by the arm.

“The Church contains a large collection of holy relics. There is a stone from the tomb of Jesus. There, suspended in that crystal sphere, is milk from the Virgin Mary. Below it is the shroud in which our Lord was wrapped after his death. They raise it out every Friday, in honor of his passing. You will hardly credit it, but I assure you that his features are still plainly visible…”

Moving from one awesome artifact to the next, Dandolo’s eyes were blinded more than once from light reflecting from a fifty foot silver iconostasis. Of greater artistic value were the many mosaics that covered the walls and domes. High above he saw the child Christ and mother Mary, with golden tiles all around, yet brighter gold for their halos. Lower down were the images of emperors and empresses. These were set against carved marble pillars and lavishly brocaded wall hangings. Dandolo saw that many of the carvings and even some of the mosaics were in the style not of Christianity, but the Mohommadan infidels – rather than depictions of people or event, these showed ornately complex geometric shapes. Asking his companion, he was told, “Beauty is beauty.” This was accompanied with a parable which Dandolo only half heard. So full were his eyes that he could pay little heed to his other senses.

At one point he asked how many men served within these walls, and Strophantes told him that a service in Sophia required eighty priests, one hundred fifty deacons with sixty subdeacons, one hundred sixty readers, twenty-five cantors and seventy-five doorkeepers.

They completed a full circuit of the church and the upper levels. At last Strophantes released Dandolo’s arm and turned to face him. “Has the noble Venetian balio seen enough?”

With an effort to project humility, Dandolo said, “I am filled with – awe is too small a word for the emotions that fill my poor soul.”

Smiling, Strophantes nodded. “Justinian is said to have proclaimed, Solomon, I have surpassed thee! A trifle blasphemous, perhaps, but because this is a house of worship was entirely of his making, we must forgive him his pride. Now, since we have intruded so upon this holy ground, we must pray. I know your religion is not ours, but surely you would not object to making an obedience in this place.”

“I would be honored,” said Dandolo, following the Greek back down the stairs and to the nave.

During the prayers and through the departure, Dandolo worked to fill his memory will all he saw. Venice, which he had always deemed magnificent, now seemed impoverished and base. Despite the wealth the crusades had brought, despite her navy that each day brought back the wealth of the world to pass through her canals, Venice could not compare to the glory of Constantinople. It was fact, indisputable but not eternal. For Dandolo determined, there and then, to make Venice someday as golden a city as this.

This determination combined with the open air caused Dandolo’s natural truculence resurface. They strolled towards the water of the great Bosphorus. Small vessels were littered hither and yon, fishing or transporting people from Pera, the land across the Golden Horn. It was in Pera where the Venetians were allowed to subsist, outside of the city proper. It was to Pera that his fellow ambassadors had been shipped after their meal, and where he would be headed at the end of this excursion. Since he felt the tour was drawing to a close, he decided to reintroduce the subject that prompted it.

“I must give you my thanks, Lord Strophantes. Constantinople is a magnificent city. The natural pride of its people is well justified. I must confess, Venice is nothing near as glorious – in its physical being.”

“There is another kind of glory?” asked Strophantes, gazing out at the reflection of the setting sun.

“There is glory of spirit. Constantinople is certainly the heir of Rome’s bones. But it was not monuments that made Rome great as a nation. The greatness came first, the monuments after. Rome was an idea, a powerful thought, a way of being. In that sense, I maintain that Venice is her true heir. We cannot match you for beauty. But our spirit is shines bright.” He bowed. “Of course, I am a patriot, speaking of a country I love. I mean no disrespect.”

Strophantes seemed not at all put out. In fact, his face betrayed a secret pleasure. “I am sure. Indeed, I was hoping you would stay your course. But then, you Venetians are naval at heart.”

Dandolo laughed. “Which could mean we shift with the wind! But no. We believe in constancy, in all things.”

“As do we, signore,” replied Strophantes Komnenos. “As do we. Well, we must be off.” Here the Emperor’s cousin nodded to the Captain of the Guard, close at Dandolo’s shoulder. Then, with a flourishing gesture at Hagia Sofia, he said to Dandolo, “But please! Indulge your eyes one last time before we depart. It is a sight to treasure.”

“Indeed,” said Dandolo, nothing loath.

As the aged Venetian gazed upwards at the exterior of the dome, the Captain of the Guard removed a length of finely-woven rope from his sleeve. The bristled cord had two large knots tied a finger’s distance apart, with a great deal of slack on both ends. At Strophantes’ nod, the imperial guard coiled the slack over the backs of his hands, wrapping again and again until the two knots were held taut and secure between his two fists.

Dandolo had no indication anything was amiss until the cord was passing over his head. At once he pressed forward, only to find his arms pinioned to his sides by others of the imperial guard. Still he leaned his face forward, protecting his throat from the garotte. At first he believed he had succeeded, for the cord descended no further than his nose. But then, with serpent-like speed, the cord was pulled taut against his face and he perceived the intent of those two knots. He was not to be killed. He was to be blinded.
Dandolo squeezed his eyes shut, even as the Captain of the Guard yanked back, pressing his knuckles against the back of Dandolo’s head. The two large knots sank into the flesh around the Venetian’s eyes. Soon it would not matter if his lids were open or closed. The pressure alone would turn the balls of his eyes into a pulpy mass.

“Do not struggle so,” said Strophantes from not far away. “You are blessed. The Emperor could have ordered this punishment before you laid eyes on the Holiest of Holy Palaces.”

The pressure was tremendous, causing a spasm of colorful lights inside Dandolo’s lids. But in spite of the weight of his sixty-six years on earth, Enrico Dandolo was not yet feeble. A part of the invading naval force just the year before, his appointment there had not been wholly political. What at first glance appeared to be fat was truly muscle, thick and built-upon in one field of battle after another.

The mistake was made by the men holding his arms. They still bore their halberds in their off hands, meaning only one hand grasped each elbow. His age and stature deceived them so much that a single twist of his powerful shoulders he shrugged free of them. Intantly he propelled himself backwards, on top of his assailant. Plucking the cord from his eyes he found he could not see through a dim cloud of tears. He had only moments before they pinned him again, and this time the violence would be worse. Though his eyes were not pulped, they were useless to him. But he remembered that the Imperial road was to his left, while the water lay to his right. Running sightlessly towards the lap of the water, he tripped over the edge of the cliff, falling sightlessly to the water below.

Novel I'm Not Writing - The Fourth Crusade - Part 1

Constantinople
18 September 1173


“Lovely as it may be, Constantinople is hardly the true heir of Rome. That honor belongs to the Serenissima, the great and serene nation of Venice.”

This declaration, made with a casual and offensive certainty, produced no visible reaction beyond the arching of an imperial eyebrow.

Reading volumes in that single facial tic, the Venetian Ambassador pressed his opinion. “As you will recall, when the French and German barbarians came down in their hordes, the best and the brightest of Rome fled and established a new community in the one place in all the world that the barbarians could not attack them.”

“A swamp,” replied Strophantes Komnenos, cousin to the Emperor and seated upon his right.

“A lagoon,” corrected the Venetian Ambassador, an aged fellow with a hearty appetite for fine things. Even now he was consuming the sorbet with indelicate haste, having never tasted such a treat before.

That the two nations were not at war was a mere technicality of law. Constantinople reserved the right to place foreigners under house arrest. That they had done so for over two years to every single citizen of Venice was a nuisance within the city, and an outrage without. What made the situation intolerable, however, was not the loss of liberty to Venetian citizens, but the confiscation of their property. To a people founded upon trade, it was the grossest kind if insult.

After several protests (ignored) and bribes (accepted, but without alteration of policy), Venice had last summer mounted a military expedition. But the invading fleet had never reached its target. Decimated by a pest, the Venetian navy had limped home, pursued by a large Byzantine fleet. Upon landing, Doge Vitale Michiel, who had led the foray, was literally torn to pieces in the streets by an angry mob.

As part of last year’s ill-starred military expedition against this great city, Enrico Dandolo had escaped both the shipboard pest and the legal enquiry that had wrecked so many careers. So vocal in his demands for justice, his part in the debacle was quite forgotten. Within months he had achieved the post of Balio, empowered to act as ambassador and to negotiate a settlement with the Eastern Empire.

Having arrived in due course, Dandolo and his fellows had suffered an imprisonment of isolation, residing in a silken cell in the palace. Never denied food or entertainment, only liberty, they had proceeded to act upon their commission.

Just one week before, a bargain had been reached that would allow the Emperor Manuel Komnenos to claim victory, while at the same time permitting the Serenissima to resume trade – a victory that spoke for itself.

The negotiations concluded, diplomacy insisted upon a feast to celebrate their newfound amity. That the Emperor chafed at this meeting was clear to those who knew him, but to those unfamiliar with the imperial mood it appeared that the great man was aloofly amused.

Until some royal retainer made a passing remark about the Empire being the direct continuation of all that made Rome great. Then Manuel the Magnificent began to show a keener interest. Because the Venetian Dandolo, with unbecoming arrogance, had chosen to argue the point.

Not that Manuel uttered a word. He did not need to, as he owned many adherents well attuned to his every gesture. Even were they not, they were incensed at Dandolo’s dismissal of their great heritage, and their polite eloquence belied the fury behind their words.

The Emperor’s cousin Strophantes was the most restrained, relating the history of their city with remarkable clarity. “As you surely are aware, my dear Signore Dandolo, after the failure of the Diocletian tetrarchy to govern the vast Roman Empire, the Emperor Constantine moved the seat of imperial power to this end of the world, to a city already great. Yet his greatest gift was endowing that city with his own name. Byzantium became Constantinople, and in that moment we became the heirs of all that was Roman. At the same time, he altered the state religion from paganism to Christianity, thus endowing our nation with the approval of the Almighty God. So while old Rome declined, the culture of the Caesars flourished here, within these great walls.”

“And within two generations the Empire unraveled,” said Dandolo. “Hardly the imprimatur of divine pleasure.”

The Greeks seated near Dandolo shifted. Even his fellow envoys leaned back on their cushioned couches, as if to disassociate themselves from his words. But Enrico Dandolo appeared not to care. Indeed, he continued to eat as if there was nothing remarkable in his opinion.

Of only middling stature, old Dandolo’s physical presence was enhanced by girth. With shoulders broader than any Greek, he took up the place of two at the low table before the imperial throne. Stout and stubby hands emerged from stout and stubby arms. His wide, round nose far overshadowed his small mouth despite the swollen-looking lower lip. Only his brow could the Greeks have called handsome. But the eyes beneath them were frightening – so calm, so piercing, and yet at the same time dead. They were the eyes of a man unimpressed with the world.

This was a direct contrast to Manuel Komnenos, who was darkly handsome and well-refined. Said to be an admirer of the West, he had instituted knightly tournaments in his own land, and even participated in some, much to the scandal of his court.

But his love of the West did not extend to Venice, thanks to an ill-timed jest twenty years earlier. While jointly attacking the isle of Corfu, the Venetians had seized the imperial flag-ship and staged aboard it a mock coronation, placing the imperial crown on the head of an Ethiopian slave – a jab at Manuel’s dark complexion. That, more than need of funds or arguments about trade-rights, had prompted the recent insult. Though her admired the West, in matters of a grudge he was thoroughly from the East.

Strophantes was about to retort when the Emperor himself opened his mouth to speak. At once all other sound ended. “Perhaps it will amuse the Venetian balio to see the full city in all of its grandeur. He may then compare our two nations, and draw his own conclusions.”

“It would be a great pleasure. As your Majesty is well aware, we Venetians are not allowed outside our poor quarter across the Horn except under guard. Even with the lifting of the recent restrictions, for which we gratefully and humbly offer your Highness our thanks, few of our city have ever been allowed to see the magnificence of Constantine’s home.”

Even this compliment bore the mark of a complaint. But the Emperor paid it no heed. Only he said, “It shall be arranged,” inclining his head to cousin Strophantes, who bowed. “When your eyes have beheld the beauty that is our city, you will be forced to confess that you shall never see another to match it.”

It was said without even a hint of malice. The Emperor began to speak of his favorite pastime, falconry, thus giving Dandolo no indication of looming personal disaster.

Novel I'm Not Writing - The Fourth Crusade - Intro

Okay, today we start with my most recent novel to be shelved. I've been calling it HEIR OF THE ROMANS, which is really only to avoid calling it THE FOURTH CRUSADE, a title that no one would pick up.

Here's how I came to this story. My new agent, Dan Conaway at Writer's House, wanted me to look for a huge, stand-alone novel. He asked if there was a place or an event I was interested in. I gave him a list of options, to see which one floated his boat. While I was waiting, I got drawn into a story that had always resided at the corners of my imagination - Venice's role in the Fourth Crusade. The Fourth Crusade is amusing to me, in a horrible way, because it's the crusade that utterly failed to fight the foes of Christianity. Instead, it was waged entirely against other Christians. First they sacked a Christian city, then they laid waste to Constantinople - twice. It was the first time in 900 years that the city had fallen, and it was this act more than anything else that allowed the Ottomans to conquer the city two centuries later. In every way that matters, the Byzantine Empire never recovered.

At the center of the Crusade was the Doge of Venice, Enrico Dandolo. In his early 90s, almos entirely blind, he was the first on the beaches, hacking and buffetting the Byzantines and shaming his followers through his bravery. And shaming Venice by his greed.

It was his second visit to Constantinople. So I thought I would start my novel of the Fourth Crusade by relating his first visit, and thus set up the novel in the Prologue. I wrote it, smiled upon it, sent it to Dan. While I was waiting for him to read it, I started researching another idea I'd snet along. By the time he'd read this, I was on to something else, a story we both agreed was fascinating and full of promise.

Of all the stories in my drawer, though, this is the one I'm most likely to come back to.

Tomorrow: The first part of the Prologue.

Novels I'm Not Writing - Intro

I'm superstitiously not writing much about the new novel, because it's in such a nascent stage. If I had started writing about it a week ago, the details would by now be completely out of date and entirely misleading. I'm still discovering what the new novel is about, a process that happens in the research of the period. I know my goals, I know some of the characters, I know the timeframe (I think. It keeps slipping backwards, one year at a time). But the story took a major twist two days ago that I'm still trying to shake out. So, for the moment, I will remain silent about the new novel.

That leaves me with nothing to post, no? No. Instead of telling you about the novel I'm writing, I'll tell you instead about the ones that I'm not writing. That's right, I'm going to spend this week posting the first chapters in several novels that I have in a drawer. Two are finished (if you can call them that), none are up to snuff. These are projects I may return to one day, though likely not. Perhaps audience interest in one chapter or another will tell me where to head once the new novel is done.

So, I'll start tomorrow with the most recent novel I'm not writing. Brace yourselves!

Cheers,

DB

The rest is silence...

If I've been remiss in updating this blog, it's only because I'm deep, deep in research for the new novel. I have, however, hit upon an entertaining diversion for the next week or so, for those who have been missing me. More on that tomorrow.

A quick note - VOICE OF THE FALCONER has been pushed back to Winter, 2009. This sounds dire (at least, those friends I've told are mourning), but really it's a good thing. It was done at the suggestion of Dan Conaway, my new agent, for reasons to do with profitable release times and book-momentum, in connection to THE MASTER OF VERONA coming out in trade paperback in Fall of this year. My only sadness is that I wanted a novel out in 2008. But a delay of three months is apparently a boon, so I will take it as such.

Lastly, I recently opened the mail to discover a marvelous little treasure from my friend Rita Severi. She was the translator for the poetry of Mauello Guidio in MV. She just sent me a copy of her latest work, a side-by-side translation of Maurice Hewlett's MADONNA DEL PESCO, aka MADONNA OF THE PEACH TREE. It's labelled una storia di Verona. Published in Bologna, 2007. Thank you, Rita - I can't wait for a break in the research to crack it.

Okay, back to Romans and Jews.

News, news, and more...

..news.

I've been avoiding posting for a couple weeks, as I await confirmation of a dozen things. But I realized that if I waited any longer, I'd be creating an impasse for myself - too much to divulge in a single post. Already things are piling up. So, here goes.

After four years and two novels sold, my agent and I have parted. This was based on his suggestion, for the simple reason that I had "outgrown his skill-set and ability to represent" me. This is probably due to me alternately sending him TV pilots, Westerns, comic book scripts, quirky religious novels, and boat-loads of historical fiction ideas.

This led me to an agent hunt. I remember seven years back, when I was half-way finished with the first draft of THE MASTER OF VERONA (then entitled IL VELTRO), I started querying agents. Only two responded. Only one said yes, and she proceeded over the next two years to try and sell MV as an Historical Romance novel (not that there's anything wrong with that... except that it isn't one). Then, by a chance introduction, I hired Michael Denneny to edit the manuscript, and he liked it well enough to agent it. He then sold it, and the sequel. I will forever be in his debt.

But for the last year he's been hinting that it was time for me to find someone younger, hungrier, and with more connections. So I wrote to MJ Rose, who has been wonderful to me, as well as a few authors I have fallen into pleasantly semi-regular communication with, asking about ideas for agents. MJ wrote back with a half dozen names, but pointed to two at the top of her list, and even offered to make first contact for me.

There followed two weeks of cheerful, wary, blunt, and finally enthusiastic communications. A copy of MV was sent over. By the time it was half-read, there was an offer to represent me.

So I am now represented by Writer's House. The same folk who agent Ken Follett, Nora Roberts, and Neil Gaiman, among many many others.

This has led to a change in direction for me, though not a drastic one. My new agent wants me to write something completely new, and also stand-alone. So into a drawer go FORTUNE'S FOOL and my other nascent novel, and back I go into research. I've got two possible ideas that I'm floating. I've written the prologue and first chapter of one, and today began intensive research for the second. Both take place in Italy, at least for a portion of the story, but both are earlier in their timeframes than the Mercutio series.

So it's back to the blank page for me. That's hardly the end of my news, by it will suffice for the nonce. More when the more is concrete, not floating on the heat vapors over my head.

DB