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Fair Verona, where we lay our scene...

  • MASTER OF VERONA cover
    These are images of Verona and the surrounding areas, all having to do with the novel The Master of Verona.

July 2008

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Cool Amazon Oops

I wrote a while back that St. Martin's Press was delaying VOICE OF THE FALCONER, the sequel to THE MASTER OF VERONA, until next year. This is reflected in the SMP Fall catalog, which only lists the trade paperback of MV.

It seems, however, that Amazon didn't get the memo.

Yes, they're preselling VOICE OF THE FALCONER on their site this very moment. A reader excitedly e-mailed me the link on Saturday, and I nearly fainted when I saw the release date. I regret to say that, no, the book will not be coming out in November - it lacks the final edits, a cover, a few changes to the internals (maps and whatnot), etc. So really, there's no way.

But it's gratifying to watch it climb as the word spreads. It made it up to 6,000 on Amazon's sales ratings over the weekend - which, out of the millions Amazon sells, is great. Let me thank everyone for their support, and I'll try to figure out some way to fill the gap between November and whenever the book actually comes out.

Cheers,

DB

Page Hearn remembered

The official statement from CityLit:

Page Hearn, a seventeen-year mainstay at Chicago's City Lit Theater, best known for his sublime portrayal of the perfect butler Jeeves in a series of P.G. Wodehouse adaptations, died of a heart attack Saturday, May 18, while crossing a street in Jersey City NJ, where he had moved in 2005. He was 48.

Hearn had a family history of heart disease—his grandmother had died from the same cause at the same age as he, and his father recently underwent bypass surgery—but he himself had not been diagnosed with heart trouble. He and his partner Steve Gutierrez had just that day completed moving to Brooklyn, and Hearn was running an errand in Jersey City related to the move when he collapsed while crossing an intersection on his way to catch a train. Doctors at the hospital where he was taken said he most likely died where he fell.

Hearn had moved out east to pursue more lucrative acting opportunities, and just this month had made his network television debut with a small speaking role as a jury foreman on an episode of NBC's Law and Order: Special Victims Unit that aired on May 6. Onstage in New York, he acted in shows at Metropolitan Playhouse in the East Village and the off-Broadway Marjorie S. Deane Little Theater, as well as directed at Abingdon Theatre and wrote a short play that was produced by Metropolitan.

A Baltimore native, Hearn was born on December 2, 1959. He attended Northwestern University in the early 1980s before beginning a 22-year career in Chicago theatre. Over the years he worked as an actor at The Commons, Bailiwick, Lifeline, Oak Park Festival, Court, Raven, Buffalo Theatre Ensemble, About Face and Reflections theatres. He was part of the 1990 Jeff Citation-winning ensemble cast of City Lit's The Good Times Are Killing Me as well as a member of the 1999 After Dark Award-winning ensemble cast of Noises Off produced by Broutil and Frothingham at Theatre Building Chicago. He directed for New Tuners, The Free Associates, Arts/Lane, and Reflections. He founded Metamorphosis Theatre, for which he adapted and produced Descent into the Maelstrom, a one-man Edgar Allan Poe show he performed at various Chicago locations every Hallowe'en from 1987 through 2006. He wrote the children's plays Ooooogy Green and Other Fables (which toured Chicago area schools for thirteen years) and The Adventures of Jack Rabbit, Private Ear, and was the voice of Fidgel the scientist/penguin in the animated children’s series 3-2-1 Penguins!

By far most of his work in Chicago was at City Lit. From 1988 to 2005, he worked here as actor, director, understudy, playwright, adaptor, director of touring, tech director, managing director and de facto artistic director. As managing director, he shepherded the theatre through the transition from being an itinerant company to having the stability of its current permanent home in Edgewater. His acting at City Lit encompassed the sinister strangeness of Henry James's The Turn of the Screw and the pointed satire of the title role in Moliere's Tartuffe. As a director, he was drawn toward inventive stagings of classic comedies such as Richard Brinsley Sheridan's The Rivals, which he staged with a Keystone Kops motif. He wrote one full-length play for City Lit, An Ecstasy of Dragonflies, a romantic fantasy. For a time in the early years of this decade, when City Lit was going through bad financial times, he was the theatre's only staff member and kept the place open largely through the force of his will.

Over a fifteen-year period, he was involved in some capacity or other with every one of City Lit's signature P.G. Wodehouse stagings, highlighted by his work as the unflappable Jeeves (memorably paired with Mark Richard as world-class nincompoop Bertie Wooster) in the theatre's nine-year string of Bertie-and-Jeeves productions. His script for Jeeves and the Mating Season won a 2002 Jeff Citation for Outstanding Adaptation.

In addition to Gutierrez, Hearn is survived by his parents, Beau and Ellie Hearn (his step mother) and Brooke and Bill Pacy (his step father), his brothers, Biff Hearn and Gibson Hearn, his sister Dana Hark, and eight nieces and nephews.

A memorial service will be held at City Lit Theater, 1020 W. Bryn Mawr, on June 30 at 7:00 pm. Memorials to be held in New York City and Baltimore are also being planned.

True Tragedy

Page Hearn I don't know what to say. Page Hearn, a dear friend and co-conspirator in theatre and life, had a massive heart attack this afternoon and died. I'm writing this because I know there are friends who haven't yet heard who stop by here. As a final - irony? tribute? - his episode of LAW & ORDER: SVU just started playing on USA. It just aired two weeks ago. I had watched it, but didn't call him to congratulate/tease him about it. Thank god, Jan did.

The Artistic Director of CityLit Theatre until he left Chicago for New York, Page directed me in, what, a half dozen shows? Including my first full shot at Macbeth, as well as R&J, Midsummer, and his original play AN ECSTASY OF DRAGONFLIES. He wrote the script for a bunch more shows, and he help me produce THE COMPLEAT WRKS OF WLLM SHKSPR (abridged) in Chicago. But more than that, he helped Jan and me join the Chicago theatre family. That family is calling around tonight, from backstage at intermissions to the bars and rehearsal halls - we've gotten calls and made them, and everyone is shocked and mournful. Together with his partner, Steve, Page touched more lives than most of us could hope to.

I'll write more when I know more.